The Phoenix Foundation Shares Dreamy New Single "Decision Dollars"

September 29th 2020

LISTEN TO 'DECISION DOLLARS' HERE 
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New Zealand's award-winning, internationally acclaimed sextet, The Phoenix Foundation are today sharing their new single, 'Decision Dollars' which features guest vocals from Hollie Fullbrook of Tiny Ruins – listen to the track here. This new music is the latest to be taken from the forthcoming album, Friend Ship which is due for release on October 16, 2020; 'Decision Dollars' follows in the wake of previous singles from the record, including the Brooklyn Vegan and Line of Best Fit-tipped single 'Hounds of Hell' which features Nadia Reid.

 

In the time since their last record, Give Up Your Dreams, the band have scored the music for Taika Waititi's award-winning film Hunt For The Wilderpeople – as well as contributing further tracks to Waititi's Boy, Eagle versus Shark and What We Do In the Shadows – written, recorded and toured with the New Zealand Symphony Orchestra, built shrines to light, created scores for VR and produced other bandsThis fruitful work ethic and willingness to collaborate is something mirrored somewhat in the new album's wide range of prolific guests: the aforementioned Nadia Reid appears, as do the New Zealand Symphony Orchestra, Hollie Fullbrook of Tiny Ruins, Dave Dobbyn and Anita Clark which makes the new record something of a showcase of Kiwi talent.

'Decision Dollars' chalks up another irresistibly charming cut from the new record, once again teasing some of those 80s indie-pop tropes spliced with psych-tinted folk and a 4 am, post-drinking haze. The additional vocals from Fullbrook add to the lucid, late-night aura of the single, webbing her dreamlike tones with the band's swooning sonic aesthetic. 

Speaking about the new single, the primary songwriter behind the track, Lukasz Buda says: "I think this was gestating for about 5 years. It took me a long time to accept such unbridled power and passion into my life. But now I have fully embraced it. My partner loves singing it at me when I am humiliatingly hungover.

Elaborating on Buda's comments, frontman Samuel Scott Flynn says: "Has there ever been a better hangover song? Yes; 'Sunday Morning Coming Down' by Johnny Cash, but this is second! I love Lukasz’s lyrics, they are so matter of fact and true. It’s always fun to write a little bridge lyric in your bandmates' songs, it’s like pretending to be Lennon and Macca for a moment. This is our 'A Day In The Life' but it has Hollie Fullbrook singing on it so maybe it’s our 'The Battle Of Evermore'. It’s definitely one of the top ten greatest songs of all time."

As evidenced in this track, the role of collaboration is key to the record, not only because of the weight and character that each brings to their performance but because the album is rooted in friendship. The record is of course named after it. “The title refers to friendships not being these passive social interactions but ever-evolving living vessels which carry us through life,” says Scott. “After the mosque attacks in Christchurch, this was something I was thinking about a lot, that sense that in order to move forward as humans we actually need to actively support each other.” 

However, whilst the album is a beautiful and often tender one, sometimes rooted in immersive and dreamy ambient soundscapes, it’s also one that captures the strangeness of the modern world. “These themes of modern anxiety started to emerge in my songs,” says Scott. “The album is sort of a post-apocalyptic love letter from the future to the present. Looking back into the past for that sense of human connection we have lost in our screen-based existence."

Much like many things in the world of Phoenix Foundation, the new record is nuanced, multi-faceted, distinct and idiosyncratic. And it’s yet another album in their increasingly expansive cannon that exists on its own terms. “I don’t quite know how we pulled this record off,” says Scott. “But I love it. For songwriting, I’d place it alongside Buffalo and Pegasus but it also sounds nothing like those albums. It’s very much its own thing.”

"A dose of breezy, lightly psychedelic indie-folk"
Brooklyn Vegan

"Worldwide success could be in the offing"
The Guardian

"A fabulous meld of power-pop, electronica and US West Coast harmony" 
NME

"Songs and melody remain paramount in this irresistible Technicolor world"
MOJO

"Funny and infectious"
Uncut

"A dreamy soundscape that is both immersive and richly textured"
Earmilk

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